GUSTAVO COUTINHO
Music / Sound design
RECENT GAMES
The new entry of the PAYDAY franchise, one of the most popular co-op shooters, brings some heavy hitting music in a new setting
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What I did
Music composition
Dynamic Implementation via Wwise
Conception of the sonic identity
MUSIC
DEMO REEL
DIVIDED BY STYLE
SERVICES
SOUNDTRACK
Original music for your project: Composition, arrangment, production, recording - it's all here!
It's well known that music can drastically change the final result of a product. From composing to mastering, Abra Sounds handles it all. We are here to assure you set the right mood to your project!
SOUND DESIGN
Production, recording and editing: the right sound design for your project!
There's no such thing as evocative as sound. Is the character of your game lost in the jungle? Then I'm sure it will step on some fallen branches, the wind will blow and make the leaves swish and the birds will sing. It will all be in the sound.
ABOUT
Photo By: Gabriela Trombeta
Hello there!
I am a Brazilian composer and sound designer specialized in music for games. My work blends a deep understanding of interactivity with a love for genre-bending composition, resulting in scores that not only support gameplay but transform with it.
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Since getting started in 2015 on small Flash games, I have gone on to compose for globally recognized titles like Payday 2, Payday 3, Sniper Ghost Warrior Contracts 2, and The Walking Dead franchise. I’m equally passionate about unique and ambitious indie titles, with credits including Rise of Industry and its dystopian 2130 DLC, The Haunting of Joni Evers, Lord Winklebottom Investigates, and Keylocker.
My style often experiments with unexpected combinations, like mixing mariachi trumpets into hard-hitting electronic music for PAYDAY 2’s “Bonebreaker”. For me, musical ideas are always guided by interactivity and how the score can reflect, respond to, and elevate the player's experience in real time.
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In addition to composing, I handle implementation in both FMOD and Wwise, with extensive experience in both, often integrating my own music systems directly into the games I score. This technical fluency is central to my approach, as I keep the implementation in mind at all times while writing music.
Have any questions? Please feel free to contact me!
Hope we can work together!
CONTACT
Have a great project in mind and need some audio help? No matter your budget, contact us. We are open for high-reaching and dedicated development teams, filmmakers and artists! Just fill the form below or send us an email to contact@abrasounds.com